Lisa L. Hannett’s Bluegrass Symphony
Lisa and I became good friends while doing battle with our Phds, and I’ve been waiting almost a year to have this gorgeous book in my hands (and it really is gorgeous - Lisa’s not only an incredibly talented writer, she’s also one of those annoyingly gifted arty types and she worked with the publisher to design her own cover). I can’t wait to start reading as soon as my head stops pounding enough for me to make sense of the words, and if Lisa’s earlier stories are anything to go by I’m in for a spine-tinglingly-awesome treat. Lisa only started writing about three years ago (though she’s been a prolific, life-long reader), and since then her stories have been published in magazines, journals and anthologies all over the world, including Clarkesworld Magazine and The Year’s Australian Best Fantasy & Horror 2010. Earlier this year she won an Aurealis award for her short story ‘The February Dragon’ (co-written with Angela Slatter). However, trying to describe what genre Lisa writes in is difficult. It’s fantasy, but not high fantasy. It’s creepy and unnerving, but not quite gory enough to be horror. Some of the places and people she writes about are incredibly ‘real’ but there’s too much of the supernatural for it to be straight literature. The best way I can think of to describe her writing is Flannery O’Connor meets Annie Proulx meets Margo Lanagan, with a little somethin’ somethin’ thrown in besides. I know what you’re thinking: Margot, she’s one of your good friends, you’d probably sing Lisa’s praises if she just mashed the keyboard. Alright, yeah, I probably would. BUT as an objective academic who’s spent the last eight ( Blugrass Symphony ”plays like a country music album composed in the darker places of imagination, the little corners that you don’t want to look in as you tap-tap your foot to the catchy beat. Coolly beautiful, then coldly brutal, this is one of the most unnerving debuts in years.” - Robert Sherman “Take a scruff of minotaur hair and a handful of mermaid scales, mix them with mothdust and the bloody feathers of a murdered oracle, and you might get a taste of the strange and dream-soaked magic that Lisa Hannett conjured with this remarkable debut collection. Bluegrass Symphony introduces a rare and original voice whose stories linger, dark and luscious and bold as tarnished brass, long after you have finished reading them” - Kirstyn McDermott Bluegrass Symphony is published by Ticonderoga Publications and is available from Indie Books Online for $25. You can also read more about Lisa and her writing on her website. As for me, I’m off for some water, aspirin and a good read!
I’m incredibly hung over, as one should be the day after a book launch, but I’m absolutely bursting with excitement to tell you all about Lisa Hannett’s amazing first collection of short stories, Bluegrass Symphony.
I know, it’s depressing) years studying literature and the craft of writing, I can honestly say Lisa’s writing is better than Laduree macaroons. If you don’t believe me, here’s what some others had to say:


The Story:
And Why is it Brilliant?
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The Story: